As Time Goes By

I made a new video tribute today... actually, I made it this month. It's taken me forever to prepare, since I had to rip all of Dirk Bogarde's movies to my hard drive. Yup, this one includes EVERY one of his movies, and in chronological order, no less! The only exceptions are Blackmailed, Upon This Rock & We Joined the Navy since they're being stubbornly elusive.

The video is set to "As Time Goes By" sung by Bryan Ferry. It starts with Dirk Bogarde's first starring role in Esther Waters (1948) and ends with his last performance in Daddy Nostalgia (1990). Here is the full list of films, in order:

Esther Waters (1948), Quartet (1948), Once a Jolly Swagman (1949), Dear Mr. Prohack (1949), Boys in Brown (1950), The Blue Lamp (1950), So long at the Fair (1950), The Woman in Question (1950), Hunted (1952), Penny Princess (1952), The Gentle Gunman (1952), Desperate Moment (1953), Appointment in London (1953), They Who Dare (1954), Doctor in the House (1954), The Sleeping Tiger (1954), For Better For Worse (1954), The Sea Shall Not Have Them (1954), Simba (1955), Doctor at Sea (1955), Cast a Dark Shadow (1955), The Spanish Gardener (1956), Ill Met By Moonlight (1957), Doctor at Large (1957), Campbell's Kingdom (1957), A Tale of Two Cities (1958), The Wind Cannot Read (1958), The Doctor's Dilemma (1958), Libel (1959), The Angel Wore Red (1960), Song Without End (1960), The Singer Not the Song (1961), Victim (1961), HMS Defiant (1962), The Password is Courage (1962), The Mind Benders (1963), I Could Go On Singing (1963), Doctor in Distress (1963), The Servant (1963), Hot Enough for June (1964), King and Country (1964), The High Bright Sun (1964), Little Moon of Alban (1964), Darling (1965), Modesty Blaise (1966), Blithe Spirit (1966), Accident (1967), Our Mother's House (1967), Sebastian (1968), The Fixer (1968), Oh! What a Lovely War (1969), Justine (1969), The Damned (1969), Death in Venice (1971), Night Flight From Moscow (1973), The Night Porter (1974), Permission to Kill (1975), Providence (1977), A Bridge Too Far (1977), Despair (1978), May We Borrow Your Husband? (1986), The Vision (1988), Daddy Nostalgia (1990)

Later this week I'm planning on screen-capping the video and captioning the photos with which film they came from, so that if a specific clip looks intriguing you'll know which movie to watch :)

Esther Waters (1948)

Esther Waters (1948) is a film in the tradition of Madame X, The Secret of Madame Blanche and The Sin of Madelon Claudet. Like these other films, the heroine of the story is a proper young woman who finds herself in a very improper situation. Stories about fallen women are often really fun to watch, especially when the woman becomes really spunky and witty to compensate for her misfortune. Unfortunately, in this film Esther continues to play the part of a deer-in-the-headlights innocent through all of her troubles, and her righteousness and piety began to wear on my nerves a little by the end of the movie.


In this story, Esther Waters (Kathleen Ryan) is a very religious maid embarking on work in a new household. Quickly she learns that the horses in the stables are being bred for racing (betting!! the horror!!), and the maids she has to associate with like to read salacious literature aloud in their spare time. Disgusted by the sinful activities around her, she befriends her employer's wife, who is also deeply religious and advises Esther to accept the sins of others as long as she remains good herself.

She also befriends stable groom William Latch (Dirk Bogarde in one of his first film roles) an ambitious young man whose family used to own the land he now works on before his father gambled away their capital. Despite the misfortune that had befallen his family before, Latch believes he is very lucky. He plans to win enough money betting on the horses to eventually buy a pub, become a bookie and earn back his family's land.


After returning from a very successful day at the races, the employers throw a massive party to celebrate. William Latch takes Esther as his date, and the moonlight, fireworks and romantic canoe ride on the lake all swell to make Esther completely forget what a rigid moralist she is.


I think you know where this is going by now. Our heroine Esther is now with child, but every time she tries to tell Latch, something gets in the way. Have you ever noticed how often this happens in movies?

Jane: "Tom, I have to tell you something. It's very important."
Tom: "Yes, Jane, what is it?"
Jane: "You might not be very happy about it."
Tom: "What is it?"
DOORBELL

Tom: "I don't think you'd like the real me."
Jane: "What do you mean, the real me?"
Tom: "Well, I'm not who you think I am. I'm.."
FIRE!!

Jane: "Can I come over? I have to tell you something."
Tom: "Can you just tell me over the phone?"
Jane: "No. I have to tell you in person. It's important."
TOM'S FRIEND ALREADY KNOWS AND TELLS HIM BEFORE JANE GETS THERE.

Anyway, back to the movie... Latch runs off with another woman because he doesn't know that poor Esther is in a family way. This leaves her all alone in the world with their child. She is now faced with the consequences of being a poverty stricken unwed mother.


I won't spoil the rest of the movie, except to say that Dirk Bogarde shows up again after about six years have passed. To show that a great length of time has passed, this film utilizes another annoying plot trick. Despite the fact that Esther looks exactly the same as she did the last time they met, Mr. Latch has really grown up! I mean, he has a mustache!

I can't even begin to count how many films there are in which men grow mustaches to show that time has passed! I think a simple "six years later" title card would suffice -- and that would have left Dirk Bogarde's face looking ridiculously handsome instead of ridiculous. His angular, boyish features just don't mesh well with a bushy mustache.